Media Reaction to Zack Snyder’s Cut of “JUSTICE LEAGUE”

The following article was written back in May 2020, following the announcement by Warner Brothers that director Zack Snyder will be allowed to release his own version of the 2017 movie, “JUSTICE LEAGUE”, thanks to a campaign by fans who disiked the studio and Joss Whedon’s um . . . edited version:

MEDIA REACTION TO ZACK SNYDER’S CUT OF “JUSTICE LEAGUE”

What exactly is going on? Recently, director-producer Zack Snyder had announced via Zoom that Warner Brothers Studios had finally agreed to release his version or “cut” of the 2017 DCEU film, “JUSTICE LEAGUE” on HBO Max next year. As expected, this news was followed with mixed reactions from comic book movie fans. Many were thrilled and excited by the news. Others were either angry at the news or dismissive. What I find . . . interesting was the media’s reaction. At least the media on the Internet.

Most of the Internet media outlets had reacted to the news in a straightforward manner. I cannot recall any media outlet reacting to the news with any satisfaction or glee. But I did come across a good number of articles on the Internet that conveyed a negative response to the news. For example:

*Jessica Mason wrote a dismissive article for THE MARY SUE BLOG, conveying the idea that moviegoers should not care about this news. Ms. Mason seemed to believe that the Snyder Cut will not elevate the movie’s quality . . . period and that comic book movie fans should spend their time anticipating productions like “DOOM PATROL” (because it also features the character Victor Stone aka Cyborg).

*USA TODAY had posted an article written by the Associated Press announcing the release of the Snyder Cut in a straightforward manner. However . . . the media outlet included a video clip of the “Imagine” montage that had been kick-started by Gal Gadot, who portrayed Diana Prince aka Wonder Woman in the film. As many know, the “Imagine” video was dismissed by many people. So, why did “USA Today” include that video with a story about the Snyder Cut release … instead of an image of the cast from the movie? Why did it do that?

*To my utmost surprise, I had come across three articles that expressed this belief that Warner Brothers’ decision to release the Synder Cut was a sign that Hollywood was setting a dangerous precedent by giving in to “toxic fandom”. In other words, Hollywood is finally allowing certain fans to dictate the content of pop culture films. Now, I have complained about this subject in the past. I have also noticed how some television networks have given in to the desire of some fans to save television series like CBS’s “JERICHO” and NBC’s “CHUCK”. But I also know the difference between fans dictating the content of films and television shows and fans wanting to see the original version of a certain film – namely “JUSTICE LEAGUE” – whose content has been dictated by others – whether it is Snyder, director Joss Whedon or Warner Brothers. Apparently, the following authors of these article failed to see the difference:

– Paul Squire of “DIGITAL TRENDS”

– Drew Taylor of “COLLIER”

– Joanna Robinson of “VANITY FAIR”

I get the feeling that many of these journalists/critics are threatened by the idea of Zack Snyder’s vision of “JUSTICE LEAGUE” seeing the light of day. And I find this attitude mystifying for a movie that is suppose to be terrible. Why did they go out of their way to express such hostility toward this news?

P.S. . . . “ZACK SNYDER’S JUSTICE LEAGUE” was finally released on the streaming channel, HBO Max in March 2021 and proved to be a big hit.

“JUSTICE LEAGUE” (2017) Review

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“JUSTICE LEAGUE” (2017) Review

The D.C. Comics Extended Universe (DCEU) released its fifth film utilizing several characters that were either featured or hinted in its previous four films during the fall of 2017. Directed by Zack Snyder (well, most of it), “JUSTICE LEAGUE” proved to be an even more controversial entry than two of its previous films. Only for different reasons.

Set some time after the present-day events of “WONDER WOMAN”“JUSTICE LEAGUE” begins with the Gotham City costumed vigilante Batman aka Bruce Wayne attempting to arrest a thief. However, his efforts are interrupted by the arrival of an alien creature known as a parademon. Realizing that he had dreamed of a similar creature in “BATMAN V. SUPERMAN: DAWN OF JUSTICE”, Batman realizes that Earth is about to face another alien threat. Before he can summon Wonder Woman aka Diana Prince, she learns of an even bigger threat from her mother, Queen Hippolyta of Themyscira. A former foe known as Steppenwolf has arrived on Earth to acquire the three Mother Boxes, sentient, miniaturized, portable supercomputers from his homeworld of Apokolips. One of the boxes had been guarded by the Amazons of Themyscira for thousands of years. The pair decides to find the other metahumans – Barry Allen aka the Flash, Victor Stone aka Cyborg (whose body was cured by a Mother Box) and Arthur Curry aka Aquaman – and form a team to fight against Steppenwolf. Bruce manages to easily recruit the Flash, but is unable to recruit Aquaman. And Diana encounters difficulty in recruiting Cyborg. But when Steppenwolf manages to acquire the second Mother Box in Aquaman’s world of Atlantis, the “King of the Seven Seas” decides to join the newly formed Justice League to defeat the alien from Apokolips. However, it is not long before the League realizes they need a sixth member to help them defeat Steppenwolf – namely the recently deceased Superman.

Ever since the release of “MAN OF STEEL” in 2013, critics and some moviegoers have been highly critical of the DCEU. With the exception of “WONDER WOMAN”, the franchise’s movies have either received mixed reviews or panned. In the case of “JUSTICE LEAGUE”, it has been panned . . . perhaps even more so than the other four films. Personally, I have been a major fan of the DCEU films before “JUSTICE LEAGUE”. Do I believe the movie deserved to panned? Honestly? No. But I do feel that “JUSTICE LEAGUE” is probably the first DCEU film toward which I felt some disappointment.

There was a good deal from “JUSTICE LEAGUE” that I enjoyed. The creation of the Justice League began when Superman, Batman and Wonder Woman formed a team to battle Lex Luthor’s creation, Doomsday, in “BATMAN V. SUPERMAN: DAWN OF JUSTICE”. This creation continued with Bruce Wayne and Diana Prince’s recruitment of the Flash, Cyborg and Aquaman. And if I must be honest, I enjoyed how the movie’s screenplay took its time in fusing these characters into the League. I found this especially satisfying, since both Cyborg and Aquaman proved rather difficult to recruit. What finally drove them all together as a team proved to be the threat of Steppenwolf.

This leads me to something else I enjoyed about the film. Steppenwolf’s acquisition of two Mother Boxes provided some first-rate action sequences featuring the Amazons on Themyscira and the Atlantis inhabitants’ efforts to stop him. And they did not make it easy for him. I especially enjoyed the sequence featuring Steppenwolf’s theft of the Mother Box on Themyscira. There were other action sequences that enjoyed. One of them included the League’s first encounter with Steppenwolf inside an abandoned facility near the Gotham City Harbor. I also enjoyed the League’s second attempt to defeat Steppenwolf and his Parademon army at a small Russian village, where the Apokoliptian planned to fuse the three Mother Boxes and terraform the Earth’s surface. I also enjoyed an early action sequence that featured Wonder Woman’s confrontation with a group of terrorists in London. But for me, my favorite action sequence featured the League’s confrontation with a recently resurrected and amnesiac Superman. Although I found it rather scary, thanks to Henry Cavill’s chilling performance, there was a comedic moment that I found very funny.

As much as I enjoyed most of the film’s action sequences, I found a good deal of its comedic and dramatic moments even more satisfying. It seemed pretty obvious to me that the film’s two comedy relief characters were Barry Allen aka the Flash and Arthur Curry aka Aquaman. And I found both characters more than satisfactory, thanks to Ezra Miller and Jason Momoa’s performances. Miller’s Barry Allen was an extroverted and nervous personality that was at odds with his inability to easily befriend others. This was especially apparent in one scene that featured the initial meeting between Barry and Bruce Wayne at the former’s abode and his attempts to befriend Victor Stone aka Cyborg. But the one scene that truly made me appreciate Miller’s comedic talent occurred when the League clashed with a resurrected, yet amnesiac Superman and the Flash attempted to attack the Man of Steel from behind . . . and failed. Jason Momoa’s portrayal of Arthur Curry also provided a good deal of the movie’s comedic moments. Momoa’s portrayal of the blunt and cynical King of the Seven Seas practically had me in stitches. But I especially enjoyed that moment when Aquaman unexpectedly went into a comedic spiel about fighting Steppenwolf and his appreciation for Wonder Woman . . . unaware that he was sitting on her Lasso of Truth.

However, there were many dramatic moments that made me happily realize that “JUSTICE LEAGUE” was not all comedy and action. The movie’s opening credits featured a poignant montage that revealed the world’s grief over Superman’s death. One particular scene – a homeless man holding a “I TRIED” sign next to him – really resonated within me. I thought Martha Kent’s visit to Lois Lane in Metropolis and the two women’s shared grief over Clark/Superman’s demise was particularly poignant, thanks to Diane Lane and Amy Adams’ performances. I particularly enjoyed one scene that featured a tense conversation between Cyborg and his father, Dr. Silas Stone over the latter’s decision to use a Mother Box to save the former’s life. May I be frank? Both Ray Fisher, who portrayed the superhero and Joe Morton, who portrayed his father, really knocked it out of the ballpark in this scene. I was not that impressed by the CGI used for the Steppenwolf character. But I must admit that I enjoyed Ciarán Hinds’ voice performance for the villain. The actor projected a good deal of style and menace into the character.

I enjoyed Clark’s reunion with both Lois and Martha. Although I feel that it was a bit too brief for my tastes, I cannot deny that I found it emotionally satisfying. And I enjoyed the tense conversation between Aquaman and future love interest, Mera of Atlantis. The scene seemed to give audiences a preview of the screen dynamics between Momoa and Amber Heard, who portrayed Mera. But if I had to pick my favorite dramatic moment in “JUSTICE LEAGUE”, it would have to be the scene that featured Bruce Wayne and Diana Prince’s conversation regarding his continuing guilt over his past attempt to kill Superman and her lingering grief over the death of her former lover/colleague, Steve Trevor. Thanks to superb and subtle performances from Ben Affleck and Gal Gadot, the scene was a tense and angst-riddled moment that I truly enjoyed.

Zack Snyder had collaborated with cinematographer Larry Fong on four films – “300” (2007)“WATCHMEN” (2009)“SUCKER PUNCH” (2011) and especially, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” (2016). For “JUSTICE LEAGUE”, Synder ended up collaborating with Fabian Wagner, who had previously spent most of his career in television – especially HBO’s “GAME OF THRONES”. However, I am not that familiar with Wagner’s previous work. But I must admit that I was impressed by his work in “JUSTICE LEAGUE”. His work proved to be a bit brighter than Fong’s work in “BATMAN V. SUPERMAN”. This is not that surprising, considering that the movie’s narrative is slightly less angsty than the 2016 film. But I was especially impressed by his photography of the film’s protagonists, as shown below:

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One would be inclined to wonder why I had regarded “JUSTICE LEAGUE” as something of a disappointment, due to my positive comments on it. Well . . . I had problems with the film. Hell, I have expressed quibbles for about every comic book movie I have seen. My first problem with “JUSTICE LEAGUE” there were times when it seemed I was viewing a movie with two directors . . . with two different styles. Well of course the movie seemed to possess two different directors. As everyone knows, Zack Snyder had experienced a family tragedy while dealing with the film’s post-production. Unable to continue, he asked Joss Whedon, who had directed the two Avengers films for Marvel/Disney, to complete the post-production reshoots, using his notes. Well . . . Whedon did more than that. At the behest of the Warner Brothers executives, he chopped out a good deal of Snyder’s work, re-shot and re-wrote at least 30 percent of the movie in a similar style he had used for the Avengers films. In the end, there were times when “JUSTICE LEAGUE” seemed like a DCEU film trying to look like a Marvel Cinematic Universe (MCU) movie. I found this very confusing – especially in the film’s third and final act.

One of the results of this hack job by Whedon and Warner Brothers was the decision to change the film’s composer. They tossed out Junkie XL (who had co-written the “BATMAN V. SUPERMAN” score with Hans Zimmer)’s score and hired Danny Elfman to replace it. Now . . . I have been a fan of some of Elfman’s work for years. But what he did for this film’s score? As far as I am concerned . . . nothing. Elfman fell back on the nostalgia factor by utilizing his old score from the two Batman films directed by Tim Burton. Worse, there was a moment following Superman’s resurrection – I do no know if this happened or not, but I could have sworn that right after the resurrection or when the Man of Steel confronted Steppenwolf for the first time – Elfman even used a few bars from John Williams’ score for the 1978 film, “SUPERMAN: THE MOVIE”. All I can say that it was a very cringe-worthy moment for me.

Speaking of Superman . . . what in the hell happened? Granted, I really enjoyed the sequences featuring his resurrection, his clash with the League’s other members and his reunions with Lois and Martha. But once Superman joined the League’s battle against Steppenwolf . . . I just do not know what happened. It seemed as if someone – I suspect it was Whedon – tried to transform him into Christopher Reeve’s version of the Man of Steel. Ugh! Look, Chris Reeve’s Superman was fine for the late 20th century. But we are nearing the end of the 2010s. Henry Cavill had managed to establish his own version of Superman. There was no need to force him to copy another actor’s style. One other fact bothered me. I am referring to the questionable CGI that tried to hide the mustache he was sporting, while filming “MISSION: IMPOSSIBLE – FALLOUT”. Apparently, Paramount Studios refused to allow Cavill to shave the moustache for the “JUSTICE LEAGUE” re-shoots. Between the cringe-worthy grinning, the cheesy dialogue and that ridiculous race against the Flash in the first post-credit scene, I simply found myself feeling sorry for Henry Cavill. In fact, either Snyder or Whedon (I suspect the latter) tried to lighten up Affleck’s performance as Batman by forcing the latter to spew some pretty lame jokes. Poor man. In their attempt to transform the movie into an Avengers film, the Warner Brothers suits damn near sabotaged both the Man of Steel and the Dark Knight.

But for me, the real problem proved to be the film’s last act. It brought back bad memories of the last act of the 2015 movie, “THE AVENGERS: AGE OF ULTRON”. The entire sequence featuring the Justice League’s battle against Steppenwolf and the latter’s parademon army at some Russian village struck me as simply confusing. It was beyond confusing. Between the questionable editing, the unattractive lighting, and the rushed action, I simply found the entire sequence hard to swallow. I can only thank God that Russian village was not rising in the sky, while the Justice League battle Steppenwolf. That shit would have been even more difficult to swallow. The first post-credit scene featuring Superman and the Flash’s race to see who was the fastest did not help. Why is it so damn important in a D.C. Comics movie or television production to show a Kryptonian (whether it was Superman or Supergirl) in a race with the Flash? I disliked it in this movie and I disliked it in a Season One episode of the Arrowverse’s “SUPERGIRL”. Fortunately, the second post-credit scene nearly made up for the film’s last thirty minutes or so. I will say that it involved Lex Luthor and one of Batman’s former foes, Slade Wilson aka Deathstroke. It proved to be a great surprise.

So, there you have it. Do not get me wrong. “JUSTICE LEAGUE” provided some great action scenes and dramatic moments. It also featured some excellent performances, as well. However, it is quite obvious that the Warner Brothers executives and Joss Whedon made a serious mistake in ignoring Zack Snyder’s post-production instructions and trying to transform the movie into their own version of a Marvel Cinematic Universe (MCU) film. In a way, they did. “JUSTICE LEAGUE” strongly reminded me of Marvel’s 2015 movie, “THE AVENGERS: AGE OF ULTRON” – both the good and the bad.

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My Ranking of the Movies in the “DIE HARD” Franchise

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Below is my ranking of the five movies in the “DIE HARD” movie franchise that starred Bruce Willis as John McClane: 

MY RANKING OF THE “DIE HARD” MOVIES

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1. “Die Hard” (1988) – The first movie is not always the best. But in the case of this particular movie franchise, it is for me. While visiting his estranged wife, New York City detective John McClane is trapped inside a Los Angeles skyscraper during a Christmas Eve heist led by former German terrorist Hans Gruber. Alan Rickman, Reginald VelJohnson and Bonnie Bedalia co-starred.

 

 

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2. “Live Free or Die Hard” (2007) – John McClane is ordered to escort a suspected hacker targeted by cyber terrorists led by former Federal tech employee Thomas Gabriel trying to steal from the U.S. government in this surprisingly well-made film. Justin Long, Timothy Olyphant and Mary Elizabeth Winstead co-starred.

 

 

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3. “Die Hard With a Vengeance” (1995) – McClane and a Harlem storekeeper named Zeus Carver are forced to play mind games by terrorist Simon Gruber (brother of Hans), while he plots the robbery of the Federal Reserve Bank in New York City. Samuel L. Jackson and Jeremy Irons co-starred in this first-rate action film, marred only by an anti-climatic ending.

 

 

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4. “A Good Day to Die Hard” (2013) – McClane finds himself helping his son Jack, a C.I.A. operative, protect a Russian ex-millionaire from terrorists who want to use him to access a source of valuable weapons-grade uranium. Jai Courtney, Yuliya Snigir and Sebastian Koch co-starred in this movie with a first-rate and original narrative that is marred by a running time shorter than it should have been.

 

 

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5. “Die Hard 2: Die Harder” (1990) – McClane ends up clashing with former Special Forces mercenaries at Dulles Airport on Christmas Eve, while waiting for his wife’s plane to land. William Sadler, John Amos, Dennis Franz and Bonnie Bedalia co-starred in what I believe is an entertaining film. But . . . I thought it tried too hard to copy the success of the 1988 movie.

“Irrelevant Bashing”

 

“IRRELEVANT BASHING”

I am another moviegoer who is getting sick and tired of the regarding Marvel/Disney’s Marvel Cinematic Universe (MCU) films and Warner Brothers/D.C. Comics’ D.C. Extended Universe (DCEU) films. I have come across articles in which fans of both movie universes have accused the other of excessive bashing. 

I never understood this rivalry between Marvel and DC Comics movie franchises. To be honest, I find it unnecessary. And I believe today’s audiences are getting too caught up in this so-called rivalry, thanks to the media, the studios and the two comic book conglomerates. I have seen both DC Comics and Marvel since “SUPERMAN: THE MOVIE” first came out in 1978. Why do certain films from one comic book company need to be better than those from another one? I have seen films from both that I found very impressive. And I have seen films from both that left me feeling disappointed. For me to decide whether the Marvel films or the DC films are better strikes me as ridiculous.

Some fans have claimed that since the MCU films perform better at the box office, they are without a doubt, the superior series of films. One major problem with this reasoning was the box office performance of the five major comic book movies released in 2016. Marvel’s “CAPTAIN AMERICA: THE CIVIL WAR” proved to be the second (or third) biggest box office success of that year. Yet, D.C. Comics’ “BATMAN v. SUPERMAN: DAWN OF JUSTICE” proved to be that year’s fifth biggest box office success. Although both the DCEU’s “SUICIDE SQUAD” and the MCU’s “DOCTOR STRANGE” never reached those heights in terms of box office, both were successful and ironically, the DCEU movie proved to be a bit more successful.

However, I believe that box office performance is not a true reflection of a movie’s worth. No one knows the true reason behind the critics’ current and more positive reaction to the Marvel films. Not really. True, some film critics might honestly believe they are better. Then again, it is possible that some film critics were bribed to praise the Marvel films to the sky and/or bash the D.C. Comics movies. Personally, I had stopped regarding their opinion as fact a long time ago. After all, their opinions are dictated by personal tastes, or . . . other means, just as the opinions of moviegoers are dictated by personal tastes. – Yes, there might be more people who believe that the current Marvel films are better. But I have encountered a great number of opinions that favor the current DC Comic movies. And I cannot help but wonder if the MCU fans are simply the loudest. Also, judging a film based upon box office success or the number of fans for a certain franchise strikes me as irrelevant. There are a lot of fans of the “TRANSFORMER” films. A lot. Which is why those movies generated a good deal of money. In the end, it is all subjective.

I am fans of both the MCU and the DCEU. I have been aware of some bashing of the MCU films by certain DCEU fans. However, their bashing seemed to be minor in compare to the consistent and excessive stream of criticism and bashing directed toward the DCEU films … and I believe this bashing is getting out of control.

Sometimes, I get the feeling that a lot of Marvel fans (or perhaps I should say the Marvel/Disney company is threatened by the three movies released by DC Comics between 2013 and 2016. These three movies signaled the end of the Marvel/Disney’s monopoly on a series of comic book movies based upon a collection of titles. The bashing for the DCEU has become utter ridiculous and excessive. I am also beginning to wonder if those who had accused Disney/Marvel of paying off the critics to bad mouth ALL THREE DCEU movies that have been released so far … had been right after all. Because this criticism has become over the top. It has now extended to both “WONDER WOMAN” and “JUSTICE LEAGUE” and they have yet to be released. Has bashing the DCEU movies become the “in” thing to do? Just as bashing the “STAR WARS” Prequel films is still a popular past time? I hope not. For I had almost bought it myself.

When “MAN OF STEEL”“BATMAN v. SUPERMAN: DAWN OF JUSTICE” and “SUICIDE SQUAD” first hit the theaters, I was reluctant to see all three, because I had stupidly accepted the bad opinions about them. Yet, I overcame my reluctance and went to see them, anyway. And when I finally saw those three movies, I enjoyed them. All of them. Very much. In fact, I regard “BATMAN v. SUPERMAN: DAWN OF JUSTICE” as one of the best comic book hero movies I have ever seen. And that was when I finally realized that a film critic’s opinion was worth dog shit. No more. I am simply going to form my own opinion of any movie I am interested in seeing. And I refuse to be some mindless drone and accept the views of others simply because it is the in-thing to do.

The idea that we are supposed to be accept that the Marvel or MCU films are better than the DCEU films, because many film critics or movie fans say so is irrelevant. It is irrelevant, because their views are matters of opinion. Preference. I do not accept this view “numbers matter” regarding the artistic quality of a film, because I do not share it. I have watched a lot of comic book movies in my time. From my perspective, only my opinion of an individual movie count. I do not care whether any those movies are based upon the titles of Marvel, DC Comics or any other comic book company that exists. And considering that art and entertainment are subjective in the end, what is the point in declaring that MCU films are better or that DCEU movies are better? It seems like a waste of time to me. I think we all should focus on which individual movies that appeals to us and not bother on which company makes the better films.

Warner Bros./DCEU is scheduled to release two movies in 2017. Disney/MCU has scheduled three to be released. I plan to see all five movies this year. And I will be damned if I pay attention to any film critics or moviegoer . . . until after I have seen these movies. Regardless of who performs better at the box office, I am the one who will decide which films I want to see and which ones I want to buy, regardless of whether they came from DC Comics or Marvel.

Top Favorite Movies of 2017

Below is a list of my favorite movies of 2017( List subject to change):

 

 

TOP FAVORITE MOVIES OF 2017

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1. “Dunkirk” – Christopher Nolan wrote and directed this acclaimed look at the British Expeditionary Force’s evacuation from Dunkirk, France in 1940. Fionn Whitehead, Tom Hardy and Mark Rylance starred.

 

 
 
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2. “Wonder Woman” – Gal Gadot starred in this movie about the D.C. Comics’ heroine Wonder Woman and her experiences during World War I. Patty Jenkins directed.

 

 
 
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3. “Murder on the Orient Express” – Kenneth Branaugh directed and starred in this fifth adaptation of Agatha Christie’s 1934 novel about a murder aboard the famed Orient Express. Johnny Depp and Michelle Pfieffer co-starred.

 

 
 
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4. “I, Tonya” – Margot Robbie starred in this deliciously bizarre biopic about the controversial Olympic ice skater, Tonya Harding. Directed by David Gillespie, the movie co-starred Sebastian Stan and Allison Janney.

 

 
 
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5. “Marshall” – Chadwick Boseman starred in this interesting biopic about an early case of future Supreme Court Justice Thurgood Marshall. Directed by Reginald Hudlin, Josh Gad and Sterling K. Brown co-starred.

 

 
 
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6. “The Post” – Steven Spielberg directed this fascinating look about The Washington Post’s efforts to publish “The Pentagon Papers”, the controversial Department of Defense documents about the Vietnam War. Meryl Streep and Tom Hanks starred.

 

 
 
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7. “Detroit” – Kathryn Biegelow directed this harrowing look at the Algiers Motel incident during Detroit’s 1967 12th Street Riot. John Boyega, Will Poulter, Algee Smith and Anthony Mackie starred.

 

 
 
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8. “Justice League” – Zack Snyder directed (most of it) this entertaining, yet flawed tale about the formation of the Justice League of America and its battle against the alien villain known as Steppenwolf. Ben Affleck, Gal Gadot, Ezra Miller, Ray Fisher, Jason Momoa and Henry Cavill starred.

 

 
 
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9. “Pirates of the Caribbean: Dead Men Tell No Tales” – Johnny Depp returned as Jack Sparrow in this funny, yet slightly poignant fifth entry in the “Pirates of the Caribbean” film franchise. Directed by Espen Sanberg and Joachim Rønning, the movie co-starred Javier Bardem, Brenton Thwaites and Kaya Scodelario.

 

 
 
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10. “Logan” – Hugh Jackman and director James Manigold reunited for this haunting adaptation of the 2008 Marvel Comics tale, “Old Man Logan”. Patrick Stewart co-stars as Charles Xavier aka “Professor X”.

 

 
 
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Honorable Mention: “Baby Driver” – Edgar Wright wrote and directed this tale about a young Atlanta getaway driver and music lover who is forced to work for a kingpin in order to settle a debt. Ansel Elgort, Lily James and Kevin Spacey starred.