Media Reaction to Zack Snyder’s Cut of “JUSTICE LEAGUE”

The following article was written back in May 2020, following the announcement by Warner Brothers that director Zack Snyder will be allowed to release his own version of the 2017 movie, “JUSTICE LEAGUE”, thanks to a campaign by fans who disiked the studio and Joss Whedon’s um . . . edited version:

MEDIA REACTION TO ZACK SNYDER’S CUT OF “JUSTICE LEAGUE”

What exactly is going on? Recently, director-producer Zack Snyder had announced via Zoom that Warner Brothers Studios had finally agreed to release his version or “cut” of the 2017 DCEU film, “JUSTICE LEAGUE” on HBO Max next year. As expected, this news was followed with mixed reactions from comic book movie fans. Many were thrilled and excited by the news. Others were either angry at the news or dismissive. What I find . . . interesting was the media’s reaction. At least the media on the Internet.

Most of the Internet media outlets had reacted to the news in a straightforward manner. I cannot recall any media outlet reacting to the news with any satisfaction or glee. But I did come across a good number of articles on the Internet that conveyed a negative response to the news. For example:

*Jessica Mason wrote a dismissive article for THE MARY SUE BLOG, conveying the idea that moviegoers should not care about this news. Ms. Mason seemed to believe that the Snyder Cut will not elevate the movie’s quality . . . period and that comic book movie fans should spend their time anticipating productions like “DOOM PATROL” (because it also features the character Victor Stone aka Cyborg).

*USA TODAY had posted an article written by the Associated Press announcing the release of the Snyder Cut in a straightforward manner. However . . . the media outlet included a video clip of the “Imagine” montage that had been kick-started by Gal Gadot, who portrayed Diana Prince aka Wonder Woman in the film. As many know, the “Imagine” video was dismissed by many people. So, why did “USA Today” include that video with a story about the Snyder Cut release … instead of an image of the cast from the movie? Why did it do that?

*To my utmost surprise, I had come across three articles that expressed this belief that Warner Brothers’ decision to release the Synder Cut was a sign that Hollywood was setting a dangerous precedent by giving in to “toxic fandom”. In other words, Hollywood is finally allowing certain fans to dictate the content of pop culture films. Now, I have complained about this subject in the past. I have also noticed how some television networks have given in to the desire of some fans to save television series like CBS’s “JERICHO” and NBC’s “CHUCK”. But I also know the difference between fans dictating the content of films and television shows and fans wanting to see the original version of a certain film – namely “JUSTICE LEAGUE” – whose content has been dictated by others – whether it is Snyder, director Joss Whedon or Warner Brothers. Apparently, the following authors of these article failed to see the difference:

– Paul Squire of “DIGITAL TRENDS”

– Drew Taylor of “COLLIER”

– Joanna Robinson of “VANITY FAIR”

I get the feeling that many of these journalists/critics are threatened by the idea of Zack Snyder’s vision of “JUSTICE LEAGUE” seeing the light of day. And I find this attitude mystifying for a movie that is suppose to be terrible. Why did they go out of their way to express such hostility toward this news?

P.S. . . . “ZACK SNYDER’S JUSTICE LEAGUE” was finally released on the streaming channel, HBO Max in March 2021 and proved to be a big hit.

Top Favorite Movies of the Decade (2010-2019)

Below is a list of my top favorite movies of the decade between 2010-2019:

TOP TWENTY FAVORITE MOVIES OF THE DECADE (2000-2009)

1. “Django Unchained” (2012) – Quentin Tarantino wrote and directed this first-rate film about a slave-turned-bounty hunter, who searches for his enslaved wife in antebellum Mississippi, with the help of his mentor. Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington and Samuel L. Jackson star.

2. “Batman v. Superman: Dawn of Justice” (2016) – Zack Synder directed this superb and vastly underrated second installment in the DC Extended Universe (DCEU) about supervillain Lex Luthor’s efforts to manipulate veteran vigilante Batman into a pre-emptive battle with Superman, whom Luthor is obsessed with destroying. Ben Affleck and Henry Cavill starred as Bruce Wayne aka Batman and Clark Kent aka Superman.

3. “Captain America: The Winter Soldier” (2014) – Chris Evans starred in this superb sequel to his 2011 hit about the Marvel superhero, who finds himself embroiled in a conspiracy regarding S.H.I.E.L.D. and its old nemesis, HYDRA. The movie was directed by Anthony and Joe Russo.

4. “Lincoln” (2012) – Steven Spielberg directed this excellent look at President Abraham Lincoln near the end of his presidency. Daniel Day-Lewis, Sally Field and Tommy Lee Jones star.

5. “Man of Steel” (2013) – Zack Snyder directed this excellent reboot of the Superman mythos, in which the Kryptonian superhero battles a nemesis from his father’s past. Henry Cavill starred as Clark Kent aka Superman.

6. “Inception” (2010) – Christopher Nolan wrote and directed one of the most unique films I have seen – which told the story of a thief who uses dream sharing technology to steal and plant corporate secrets. Leonardo DiCaprio starred.

7. “Saving Mr. Banks” (2013) – John Lee Hancock directed this superb and emotional tale about author P.L. Travers and producer Walt Disney’s tug-of-war over the development of the 1964 movie, “MARY POPPINS”. Emma Thompson and Tom Hanks starred.

8. “Dunkirk” (2017) – Christopher Nolan wrote and directed this acclaimed look at the British Expeditionary Force’s evacuation from Dunkirk, France in 1940. Fionn Whitehead, Tom Hardy and Mark Rylance starred.

9. “Hidden Figures” (2016) – Taraji P. Henson, Octavia Spencer and Janelle Monáe starred in this Oscar nominated biopic about the true story of African American women who provided NASA with important mathematical data needed to launch the program’s first successful space missions. Theodore Melfi directed.

10. “The Great Gatsby” (2013) – Baz Luhrmann co-wrote and directed this splashy yet entertaining adaptation of F. Scott Fitzgerald’s 1925 novel about a mysterious millionaire during the early years of the Jazz Age. Leonardo DiCaprio, Tobey Maguire, Carey Mulligan and Joel Edgerton starred.

11. “True Grit” (2010) – Ethan and Joel Coen wrote and directed this excellent adaptation of Charles Portis’ 1968 novel about a fourteen year-old girl’s desire for retribution against her father’s killer. Jeff Bridges, Matt Damon and Hattie Steinfeld starred.

12. “Gone Girl” (2014) – David Fincher directed this outstanding and colorful adaptation of Gillian Flynn’s 2012 novel about whether a man is responsible for the disappearance of his wife or not. Ben Affleck and Oscar nominee Rosamund Pike starred.

13. “Silver Lining Playbook” (2012) – David O. Russell wrote and directed this Oscar-nominated adaptation of Matthew Quick’s 2008 novel, “The Silver Linings Playbook”. Oscar nominee Bradley Cooper and Oscar winner Jennifer Lawrence starred.

14. “The Avengers” (2012) – Joss Whedon wrote and directed this excellent blockbuster in which S.H.I.E.L.D. Director Nick Fury forms a team of superheroes to save Earth from Asgardian villain Loki and alien invaders. The cast included Robert Downey Jr., Chris Evans and Samuel L. Jackson.

15. “Wonder Woman” (2017) – Gal Gadot starred in this excellent movie about the D.C. Comics’ heroine Wonder Woman and her experiences during World War I. Patty Jenkins directed.

16. “Rogue One: A Star Wars Story” (2016) – Gareth Edwards directed this excellent stand alone film in the Star Wars saga about a group of Rebels who learn about the Imperial Galaxy’s new weapon, the Death Star, and set about stealing the plans. Felicity Jones and Diego Luna starred.

17. “Rush” (2013) – Ron Howard directed this exciting biopic about Formula One drivers James Hunt and Niki Lauda … and their rivalry during the 1976 racing season. Chris Hemsworth and Daniel Brühl starred as the two rivals.

18. “Solo: A Star Wars Movie” (2018) – This excellent STAR WARS movie set ten years before the Original Trilogy, told the story of the early years of Han Solo as a smuggler and criminal. Directed by Ron Howard, Alden Ehrenreich starred in the title role.

19. “Black Panther” (2018) – Chadwick Boseman starred in this excellent adaptation of the Marvel Comics hero Black Panther aka King T’Challa of Wakanda about the title character’s efforts to maintain his position as Wakanda’s king, while dealing with a vengeful relation. Directed and co-written by Ryan Coogler, the movie co-starred Michael B. Jordan and Lupita Nyong’o.

20. “Once Upon a Time . . . in Hollywood” (2019) – Quentin Tarantino wrote and directed this excellent tale about a fading actor and his stunt double struggling to regain success in the film industry during the final year of Hollywood’s Golden Age in 1969 Los Angeles. Oscar nominee Leonardo Di Caprio, Oscar winner Brad Pitt and Oscar nominee Margot Robbie starred.

Honorable Mention: “Incredibles 2” (2018) – This first-rate direct sequel to the 2004 hit Disney animated film follows the Parr family as they try to restore public’s trust in superheroes, while balancing their family life. They also find themselves combating a new foe who seeks to turn the populace against all superheroes. Directed by Brad Bird, Craig T. Nelson, Holly Hunter and Samuel L. Jackson provided the voices.

“THE GREEN HORNET” (2011) Review

“THE GREEN HORNET” (2011) Review

My memories of the costumed hero, the Green Hornet, are pretty sketchy. I can only recall actor Van Williams portraying the character in the short-lived television series from the mid-1960s, with future martial arts icon, Bruce Lee, portraying his manservant and partner-in-crime fighting, Kato. But if I must be honest, I never saw any of the episodes from the series. My memories of Williams and Lee as the Green Hornet and Kato were limited to their guest appearances on the ABC series, “BATMAN”.

When I had first heard about plans to release a movie about the Green Hornet featuring comic actor, Seth Rogen in the title role, I met the news with less than enthusiasm. One, I have never been a fan of the Green Hornet character. Two, I have never been a fan of Rogen’s at the time. And three, the fact that this new version of “THE GREEN HORNET” was filmed as a comedy-adventure put it completely out of my mind, after I received the news. It was not until the movie was released in theaters and I found myself with nothing else to do for a weekend, when I went ahead and saw the movie.

In a nutshell, “THE GREEN HORNET” is an origins tale about Britt Reid, the playboy heir to a Los Angeles newspaper owner. Following the death of his autocratic father, Britt befriends the latter’s mechanic and assistant – a technical genius and martial arts fighter named Kato. The pair manages to save a couple from being robbed and assaulted one night, while vandalizing a statue of the late James Reid. Inspired by their act of good deed and some close calls with the criminals and the police, Britt and Kato decide to make something of their lives by becoming a masked crime fighting team called the Green Hornet . . . and his unnamed partner. Due to their close call with the police, Britt and Kato pretend to be criminals in order to in order to infiltrate real criminals, and also to prevent their enemies from using innocents against them. Their first target turns out to be a Russian mobster named Benjamin Chudnofsky, who has uniting the criminal families of Los Angeles under his command, and whom James Reid was trying to expose. To get Chudnofsky’s attention, Britt uses his newspaper, The Daily Sentinel as a vehicle to publish articles about the “high-profile criminal” the Green Hornet. Britt hires an assistant and researcher named Lenore Case, who has a degree in criminology, and uses her unwitting advice to raise the Green Hornet’s profile.

What was my opinion of “THE GREEN HORNET”? Honestly? I enjoyed it very much. I found it funny, entertaining, and exciting. First and foremost, the movie possessed plenty of laughs, thanks to Rogen and Evan Goldberg’s script. I usually do not find Rogen all that funny. But I must admit that his attempts at being the big crime fighter, while Kato saved his ass time-and-again, left me in stitches. Realizing that Britt lacked any self-defense skills, Kato created a gun filled with stun gas for the former to use against their enemies. And I found Rogen’s portrayal of Britt’s egotistical reaction to the gun rather hilarious. Not only did “THE GREEN HORNET” provide plenty of laughs, but it also had some first-rate action sequences. My favorites include the Green Hornet and Kato’s encounter with a group of street thugs that led them to a meth lad controlled by Chudnofsky, their attempt to extract themselves from a trap set by the gangster at a construction site and the fight between Britt and Kato at the Reid mansion over the many issues that had developed between the two. But the major sequence that started at the Japanese restaurant and ended at The Daily Sentinel really impressed me and I have to give kudos to Michel Gondry for his direction.

I suppose that Seth Rogen could have portrayed Britt Reid/the Green Hornet in a straight manner, but I do not know if I would have bought it. A more conventional leading man could have been hired for the role, but if I must be honest, I was too impressed by Rogen to really care. Many critics complained that Rogen portrayed Reid/the Green Hornet as a man-child. And he did . . . at first. But the script and Rogen’s performance allowed (or forced) Reid to face the consequences of his massive ego and his decision to become a crime fighter and grow up in a very painful way. I have never heard of Jay Chou, who is a well-known musician and actor from Taiwan. But I must admit that I was very impressed by his performance as Kato, Britt’s talented and exasperated partner-in-crime fighting. His acting style seemed to strongly remind me of Clint Eastwood and Steve McQueen’s – very subtle and very quiet. Yet, Chou also displayed a wry sense of humor that I found entertaining. And I was surprised to discover that he managed to convey not only Kato’s resentment and fear that the latter might be regulated to becoming the Green Hornet’s “sidekick”, but also his own egotistical nature. More importantly, his subtle acting style contrasted perfectly with Rogen’s more bombastic style and the two formed a first-rate screen team.

I had been appalled by the news that Christoph Waltz was cast as the main villain in “THE GREEN HORNET”, especially on the heels of his success in 2009’s “INGLORIOUS BASTERDS”. The idea of an acclaimed actor in a costumed hero action movie with comic overtones seemed so beneath him. But after seeing the movie, I am soooo glad that he was cast as the Russian gangster, Benjamin Chudnofsky. He was both hilarious and scary at the same time. Most villains featured in comedy action films tend to be either bland or simply ruthless and scary. Thankfully, Waltz’s Chudnofsky was not bland. But he was scary, ruthless . . . and funny as a middle-aged gangster, suffering from a mid-life crisis. Now, how often does one come across a villain like that in action movies? I had assumed Cameron Diaz’s role as Britt’s assistant, Lenore Case, would be a rehash of the Pepper Potts character from the “IRON MAN” movie franchise. Thankfully, Rogen and Goldberg wrote the Lenore role as an intelligent woman, whose brains provided plenty of information for the Green Hornet and Kato; and as a no-nonsense woman who refused to replay the Tony Stark/Pepper Potts scenario or be in the middle of a love triangle between Britt and Kato, despite their attraction to her. And Diaz perfectly captured all aspects of the Lenore character with her usual charm and skill. I was also impressed by David Harbour’s performance as the charming, yet morally questionable District Attorney, Frank Scanlon. Edward James Olmos was on board to provide solidity as Britt’s personal moral guide and editor of the the Daily Sentinel.

There were a few flies in the ointment in “THE GREEN HORNET”. One came from Tom Wilkinson’s portrayal of Britt’s father, James Reid. I realize that he was portraying a negative authority figure – the cold and demanding father. But his performance came off as bombastic and somewhat flat. I also found the pacing in the movie’s first fifteen minutes rather uneven. Britt’s relationship with his father and the latter’s death seemed to move along at a pace that I found a bit too fast. But at the same time, Chudnofsky’s meeting with a local gangster portrayed by James Franco was conveyed with more depth and at a slower pace. Fortunately, Gondry seemed to have found his pacing after this uneven beginning and movie rolled along with a balanced mixture of action, angst, and laughs.

For Green Hornet purists like actor Van Williams that were upset over Rogen’s comedic interpretation of the crime fighter, there is nothing I can say. I do not particularly agree with them that the movie should have been a straight action-drama. “THE GREEN HORNET” could have been another “BATMAN BEGINS” or even “DAREDEVIL”. Perhaps I would have liked it. But I did enjoy Rogen’s interpretation very much. Hell, I more than liked it. I enjoyed it so much that I saw it in the theaters for a second time and even bought a DVD copy of it. This is probably the first movie that I have ever enjoyed Rogen as an actor. My enjoyment increased tenfold, thanks to his screen chemistry with musician/actor Jay Chou. And this is the first time I have ever enjoyed the story of the Green Hornet.

“SUICIDE SQUAD” Showdown

“SUICIDE SQUAD” SHOWDOWN

The 2016 D.C. Extended Universe (DCEU) film, “SUICIDE SQUAD”, featured an interesting post-credit scene between A.R.G.U.S. Director Amanda Waller and billionaire Bruce Wayne aka Batman. In the wake of Task Force X aka Suicide Squad’s confrontation with former team member, the sorceress Enchantress, Ms. Waller requested a meeting with Bruce for a special favor.

Apparently, Ms. Waller found herself in hot water with the U.S. Department of Defense, due to the Enchantress’ attempt to wreck havoc upon the world and rule it. After all, the sorceress was known to be a former member of the Suicide Squad. Ms. Waller met with Bruce in order to use his Washington D.C. connections to protect her from the backlash against her role, as Task Force X’s creator, in the Enchantress’ rampage. In return, she provided him with government files files on the expanding meta-human community . . . along with documents on both Barry Allen aka the Flash and Arthur Curry aka Aquaman. Following Bruce’s agreement to help Waller in exchange for the files, the pair had this little conversation:

Amanda Waller: There’s the difference between us. You believe in friendship, I believe in leverage.
Bruce Wayne: Good night.
Amanda Waller: You look tired. You should stop working nights.
Bruce Wayne: You should shut it down, or my friends and I will do it for you.

When Ms. Waller had first hinted that she knew Bruce was Batman, his first response was to warn her to shut down the Task Force X team, also known as the “Suicide Squad”. When I first saw the movie, I had taken Bruce’s warning at heart. Especially since she had asked for him to protect her from facing the consequences of using Dr. June Moone aka the Enchantress as part of her Task Force X. And the recently formed Justice League would be more than capable of physically breaking up the squad and keeping its members behind bars. In the end, it took me a while to realize that on a deeper level, Bruce’s warning was hollow. It was just as hollow as Waller’s insinuation that she knew he was Batman.

One, the formation of Task Force X “Suicide Squad” was not illegal. It was sanctioned by the Department of the Defense and the White House. With the exception of Task Force X leader Colonel Rick Flagg and his bodyguard, Tatsu Yamashiro aka Katana, the other members were convicted criminals. Which meant that Waller or any other member of the government or law enforcement had the right to “recruit” them to work in the interest of the country/community. The Thirteen Amendment (1865) of the U.S. Constitution abolished slavery and involuntary servitude, except as punishment for a crime. Which meant that convicted and imprisoned criminals can be used as forced labor. And this is exactly what Waller did when she had nano bombs implanted in their necks and coerced them into working on behalf of the government . . . with the threat of death if any Suicide Squad member did not cooperate.

Two, if Batman and other future members of the Justice League had interfered with any of the Task Force X’s operations, they would find themselves in legal trouble. Especially since the Task Force X is a legally sanctioned intelligence unit. And when Bruce had issued his warning about the squad, he should have remembered that Ms. Waller not only knew about his identity as Batman, she also knew about secret identities of the Flash and Aquaman. After all, she was the one who had provided Bruce with information about the pair. Considering Ms. Waller’s talent for acquiring information, it would have been a matter of time before she discovered Diana Prince’s identity as Wonder Woman, Victor Stone ‘s identity as Cyborg and Clark Kent as Superman. If she does not know the truth about them already. After all, Lex Luthor does.

Three, Waller’s insinuation that she knew about Bruce’s identity as Batman struck me as equally hollow. Even if she had exposed him as the Dark Knight, chances are Bruce would not hesitate to find a way for her to face the consequences of her role in the Enchantress’ rampage. If he could not personally achieve, Bruce would probably arrange for his security chief, Alfred Pennyworth to expose Ms. Waller on his behalf.

Perhaps it would have been best for both Bruce and Ms. Waller to realize that when it came to secrets and protection, they were in a standoff. Waller should have never made such a useless threat. And Bruce should have realize there would be legal consequences if he and the other members of the Justice League had interfered with Task Force X. And both should simply consider leaving each other alone.

“Unnecessary Time Periods”

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“UNNECESSARY TIME PERIODS”

I am a big fan of the DCEU or at least the franchise’s first phase. I am also a fan of the 2017 hit film, “WONDER WOMAN”. I was also pleased to discover that the film has managed to convince Hollywood studios – especially Warner Brothers and Disney – to create more comic book movies with a female protagonist.

But my pleasure in both has somewhat been muted by what seemed to be a growing trend in Hollywood – to have these upcoming movies set in the past. Why? Because the successful “WONDER WOMAN” film was set in the past – during the last week or two of World War I? I had no problems with this, considering that “BATMAN V. SUPERMAN: DAWN OF JUSTICE” had established Diana Prince aka Wonder Woman’s presence during that conflict with a single photograph. Hell, the television series from the 1970s had established Wonder Woman’s origin story during World War II during its Season One and brought her character into the present (late 1970s to early 1980s) in the seasons that followed.

However, I learned that the second Wonder Woman movie starring Gal Gadot will be set in 1984. To drive home that point, it is called “WONDER WOMAN 1984”. Personally, I do not understand this decision. Was this Warner Brothers and Patty Jenkins’ attempt to cash in on the first movie’s success? Was it to undermine the back story for Wonder Woman that was established by Zack Snyder in both “BATMAN V. SUPERMAN” and “JUSTICE LEAGUE” in order to make her seem like a more ideal character? Who knows. But this movie will definitely establish a plot hole in the franchise’s overall narrative.

Warner Brothers also plans to create and release “SUPERGIRL”, who happened to be Kara Zor-El, the first cousin of Clark Kent aka Superman. And they plan to set this movie in the 1970s. Why? Apparently, Supergirl is the older cousin and to the movie’s screenwriters, it made sense that she would reach Earth before him. But . . . “MAN OF STEEL” and “BATMAN V. SUPERMAN” had already established that Superman was the first powerful alien to become known to Humans. In fact, there have been others before the arrival of General Zod and his followers who were aware of Clark’s powers. You know . . . like Jonathan and Martha Kent, some of Smallville’s citizens and Lois Lane. By setting “SUPERGIRL” in the 1970s, Warner Brothers would again . . . undermining a narrative point established in previous films. Why not follow the example of the television shows like “SUPERGIRL” and “SMALLVILLE” on the CW by having Kara aka Supergirl’s spacecraft knocked off course and forced into the Phantom Zone for a decade or two? So, by the time Kara finally reached Earth, her cousin Kal-El would have grown up and become Superman. Why not use this scenario?

“WONDER WOMAN”, Marvel’s Kevin Feige had finally decided that the Marvel Cinematic Universe (MCU) will feature a comic book movie with a woman in the starring role . . . namely “CAPTAIN MARVEL”. Mind you, I still find it cowardly that Feige had decided to wait until the success of another studio to produce a movie featuring a comic book heroine in the lead. Especially since the character Natasha Romanoff aka Black Widow has been part of the franchise since the 2010 movie, “IRON MAN 2”. However . . . I discovered that “CAPTAIN MARVEL” will be set in the 1990s. And I ask myself . . . why?

The official word is that the movie’s time period is being used to set up Nick Fury’s trajectory toward forming The Avengers years later. After all, both Samuel L. Jackson and Clark Gregg as future S.H.I.E.L.D. Directors Nick Fury and Phil Coulson will be in the film. But this is so unnecessary. I realize that Tony Stark aka Iron Man was not the first enhanced being or metahuman (so to speak) to attract the attention of S.H.I.E.L.D. Fury must have known about Steve Rogers aka Captain America’s war service in “CAPTAIN AMERICA: FIRST AVENGER”. He must have known about Hank Pym and Janet Van Dyne’s S.H.I.E.L.D. activities in the 1980s as Ant-Man and the Wasp. And she certainly knew about Dr. Bruce Banner’s experiments in gamma radiation and eventual transformation into the Hulk before the events of “THE INCREDIBLE HULK”. After all, 2008’s “THE INCREDIBLE HULK” was not an actual origin movie. So, I find myself wondering why Feige found it necessary to set up Fury’s trajectory with enhanced beings with Carol Danvers aka Captain Marvel . . . in the 1990s. Unless “CAPTAIN MARVEL” is simply another attempt by a studio or producer – in this case, Kevin Feige and the MCU – to cash in on the success of “WONDER WOMAN”. Why not just admit it? Especially since it seems so obvious.

And by the way, why are all of these films led by a comic book heroine? Just because “WONDER WOMAN” was set in the past, there is no reason why every single comic book movie with a woman in the lead have to be set in the past? What is the point in all of this? Yes, “CAPTAIN AMERICA: THE FIRST AVENGER” was set in the past. However, the following two movies featuring Captain America were set in the present. So, why did Marvel feel it was necessary to set “CAPTAIN MARVEL” in the past? Why is it that none of the other MCU movies led by men set in the past? Why did Warner Brothers believe it was necessary to set its second Wonder Woman and Supergirl films in the past? Has this been the case for any of their movies with a male lead or ensemble-oriented movies like “SUICIDE SQUAD”?

I found myself wondering if there is another reason why these three upcoming comic book heroine movies are being set in the past. But I could not find any. The time periods for these films are so unnecessary and an obvious attempts to copy the success of “WONDER WOMAN”. The thing is . . . Wonder Woman’s past during World War I and the photograph discovered by both Bruce Wayne aka Batman and Lex Luthor allowed them to recognize her as a possible metahuman or enhanced being. For me, there is no good reason for “WONDER WOMAN 1984”“SUPERGIRL” or “CAPTAIN MARVEL” to be set in the past.

“JUSTICE LEAGUE” (2017) Review

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“JUSTICE LEAGUE” (2017) Review

The D.C. Comics Extended Universe (DCEU) released its fifth film utilizing several characters that were either featured or hinted in its previous four films during the fall of 2017. Directed by Zack Snyder (well, most of it), “JUSTICE LEAGUE” proved to be an even more controversial entry than two of its previous films. Only for different reasons.

Set some time after the present-day events of “WONDER WOMAN”“JUSTICE LEAGUE” begins with the Gotham City costumed vigilante Batman aka Bruce Wayne attempting to arrest a thief. However, his efforts are interrupted by the arrival of an alien creature known as a parademon. Realizing that he had dreamed of a similar creature in “BATMAN V. SUPERMAN: DAWN OF JUSTICE”, Batman realizes that Earth is about to face another alien threat. Before he can summon Wonder Woman aka Diana Prince, she learns of an even bigger threat from her mother, Queen Hippolyta of Themyscira. A former foe known as Steppenwolf has arrived on Earth to acquire the three Mother Boxes, sentient, miniaturized, portable supercomputers from his homeworld of Apokolips. One of the boxes had been guarded by the Amazons of Themyscira for thousands of years. The pair decides to find the other metahumans – Barry Allen aka the Flash, Victor Stone aka Cyborg (whose body was cured by a Mother Box) and Arthur Curry aka Aquaman – and form a team to fight against Steppenwolf. Bruce manages to easily recruit the Flash, but is unable to recruit Aquaman. And Diana encounters difficulty in recruiting Cyborg. But when Steppenwolf manages to acquire the second Mother Box in Aquaman’s world of Atlantis, the “King of the Seven Seas” decides to join the newly formed Justice League to defeat the alien from Apokolips. However, it is not long before the League realizes they need a sixth member to help them defeat Steppenwolf – namely the recently deceased Superman.

Ever since the release of “MAN OF STEEL” in 2013, critics and some moviegoers have been highly critical of the DCEU. With the exception of “WONDER WOMAN”, the franchise’s movies have either received mixed reviews or panned. In the case of “JUSTICE LEAGUE”, it has been panned . . . perhaps even more so than the other four films. Personally, I have been a major fan of the DCEU films before “JUSTICE LEAGUE”. Do I believe the movie deserved to panned? Honestly? No. But I do feel that “JUSTICE LEAGUE” is probably the first DCEU film toward which I felt some disappointment.

There was a good deal from “JUSTICE LEAGUE” that I enjoyed. The creation of the Justice League began when Superman, Batman and Wonder Woman formed a team to battle Lex Luthor’s creation, Doomsday, in “BATMAN V. SUPERMAN: DAWN OF JUSTICE”. This creation continued with Bruce Wayne and Diana Prince’s recruitment of the Flash, Cyborg and Aquaman. And if I must be honest, I enjoyed how the movie’s screenplay took its time in fusing these characters into the League. I found this especially satisfying, since both Cyborg and Aquaman proved rather difficult to recruit. What finally drove them all together as a team proved to be the threat of Steppenwolf.

This leads me to something else I enjoyed about the film. Steppenwolf’s acquisition of two Mother Boxes provided some first-rate action sequences featuring the Amazons on Themyscira and the Atlantis inhabitants’ efforts to stop him. And they did not make it easy for him. I especially enjoyed the sequence featuring Steppenwolf’s theft of the Mother Box on Themyscira. There were other action sequences that enjoyed. One of them included the League’s first encounter with Steppenwolf inside an abandoned facility near the Gotham City Harbor. I also enjoyed the League’s second attempt to defeat Steppenwolf and his Parademon army at a small Russian village, where the Apokoliptian planned to fuse the three Mother Boxes and terraform the Earth’s surface. I also enjoyed an early action sequence that featured Wonder Woman’s confrontation with a group of terrorists in London. But for me, my favorite action sequence featured the League’s confrontation with a recently resurrected and amnesiac Superman. Although I found it rather scary, thanks to Henry Cavill’s chilling performance, there was a comedic moment that I found very funny.

As much as I enjoyed most of the film’s action sequences, I found a good deal of its comedic and dramatic moments even more satisfying. It seemed pretty obvious to me that the film’s two comedy relief characters were Barry Allen aka the Flash and Arthur Curry aka Aquaman. And I found both characters more than satisfactory, thanks to Ezra Miller and Jason Momoa’s performances. Miller’s Barry Allen was an extroverted and nervous personality that was at odds with his inability to easily befriend others. This was especially apparent in one scene that featured the initial meeting between Barry and Bruce Wayne at the former’s abode and his attempts to befriend Victor Stone aka Cyborg. But the one scene that truly made me appreciate Miller’s comedic talent occurred when the League clashed with a resurrected, yet amnesiac Superman and the Flash attempted to attack the Man of Steel from behind . . . and failed. Jason Momoa’s portrayal of Arthur Curry also provided a good deal of the movie’s comedic moments. Momoa’s portrayal of the blunt and cynical King of the Seven Seas practically had me in stitches. But I especially enjoyed that moment when Aquaman unexpectedly went into a comedic spiel about fighting Steppenwolf and his appreciation for Wonder Woman . . . unaware that he was sitting on her Lasso of Truth.

However, there were many dramatic moments that made me happily realize that “JUSTICE LEAGUE” was not all comedy and action. The movie’s opening credits featured a poignant montage that revealed the world’s grief over Superman’s death. One particular scene – a homeless man holding a “I TRIED” sign next to him – really resonated within me. I thought Martha Kent’s visit to Lois Lane in Metropolis and the two women’s shared grief over Clark/Superman’s demise was particularly poignant, thanks to Diane Lane and Amy Adams’ performances. I particularly enjoyed one scene that featured a tense conversation between Cyborg and his father, Dr. Silas Stone over the latter’s decision to use a Mother Box to save the former’s life. May I be frank? Both Ray Fisher, who portrayed the superhero and Joe Morton, who portrayed his father, really knocked it out of the ballpark in this scene. I was not that impressed by the CGI used for the Steppenwolf character. But I must admit that I enjoyed Ciarán Hinds’ voice performance for the villain. The actor projected a good deal of style and menace into the character.

I enjoyed Clark’s reunion with both Lois and Martha. Although I feel that it was a bit too brief for my tastes, I cannot deny that I found it emotionally satisfying. And I enjoyed the tense conversation between Aquaman and future love interest, Mera of Atlantis. The scene seemed to give audiences a preview of the screen dynamics between Momoa and Amber Heard, who portrayed Mera. But if I had to pick my favorite dramatic moment in “JUSTICE LEAGUE”, it would have to be the scene that featured Bruce Wayne and Diana Prince’s conversation regarding his continuing guilt over his past attempt to kill Superman and her lingering grief over the death of her former lover/colleague, Steve Trevor. Thanks to superb and subtle performances from Ben Affleck and Gal Gadot, the scene was a tense and angst-riddled moment that I truly enjoyed.

Zack Snyder had collaborated with cinematographer Larry Fong on four films – “300” (2007)“WATCHMEN” (2009)“SUCKER PUNCH” (2011) and especially, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” (2016). For “JUSTICE LEAGUE”, Synder ended up collaborating with Fabian Wagner, who had previously spent most of his career in television – especially HBO’s “GAME OF THRONES”. However, I am not that familiar with Wagner’s previous work. But I must admit that I was impressed by his work in “JUSTICE LEAGUE”. His work proved to be a bit brighter than Fong’s work in “BATMAN V. SUPERMAN”. This is not that surprising, considering that the movie’s narrative is slightly less angsty than the 2016 film. But I was especially impressed by his photography of the film’s protagonists, as shown below:

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One would be inclined to wonder why I had regarded “JUSTICE LEAGUE” as something of a disappointment, due to my positive comments on it. Well . . . I had problems with the film. Hell, I have expressed quibbles for about every comic book movie I have seen. My first problem with “JUSTICE LEAGUE” there were times when it seemed I was viewing a movie with two directors . . . with two different styles. Well of course the movie seemed to possess two different directors. As everyone knows, Zack Snyder had experienced a family tragedy while dealing with the film’s post-production. Unable to continue, he asked Joss Whedon, who had directed the two Avengers films for Marvel/Disney, to complete the post-production reshoots, using his notes. Well . . . Whedon did more than that. At the behest of the Warner Brothers executives, he chopped out a good deal of Snyder’s work, re-shot and re-wrote at least 30 percent of the movie in a similar style he had used for the Avengers films. In the end, there were times when “JUSTICE LEAGUE” seemed like a DCEU film trying to look like a Marvel Cinematic Universe (MCU) movie. I found this very confusing – especially in the film’s third and final act.

One of the results of this hack job by Whedon and Warner Brothers was the decision to change the film’s composer. They tossed out Junkie XL (who had co-written the “BATMAN V. SUPERMAN” score with Hans Zimmer)’s score and hired Danny Elfman to replace it. Now . . . I have been a fan of some of Elfman’s work for years. But what he did for this film’s score? As far as I am concerned . . . nothing. Elfman fell back on the nostalgia factor by utilizing his old score from the two Batman films directed by Tim Burton. Worse, there was a moment following Superman’s resurrection – I do no know if this happened or not, but I could have sworn that right after the resurrection or when the Man of Steel confronted Steppenwolf for the first time – Elfman even used a few bars from John Williams’ score for the 1978 film, “SUPERMAN: THE MOVIE”. All I can say that it was a very cringe-worthy moment for me.

Speaking of Superman . . . what in the hell happened? Granted, I really enjoyed the sequences featuring his resurrection, his clash with the League’s other members and his reunions with Lois and Martha. But once Superman joined the League’s battle against Steppenwolf . . . I just do not know what happened. It seemed as if someone – I suspect it was Whedon – tried to transform him into Christopher Reeve’s version of the Man of Steel. Ugh! Look, Chris Reeve’s Superman was fine for the late 20th century. But we are nearing the end of the 2010s. Henry Cavill had managed to establish his own version of Superman. There was no need to force him to copy another actor’s style. One other fact bothered me. I am referring to the questionable CGI that tried to hide the mustache he was sporting, while filming “MISSION: IMPOSSIBLE – FALLOUT”. Apparently, Paramount Studios refused to allow Cavill to shave the moustache for the “JUSTICE LEAGUE” re-shoots. Between the cringe-worthy grinning, the cheesy dialogue and that ridiculous race against the Flash in the first post-credit scene, I simply found myself feeling sorry for Henry Cavill. In fact, either Snyder or Whedon (I suspect the latter) tried to lighten up Affleck’s performance as Batman by forcing the latter to spew some pretty lame jokes. Poor man. In their attempt to transform the movie into an Avengers film, the Warner Brothers suits damn near sabotaged both the Man of Steel and the Dark Knight.

But for me, the real problem proved to be the film’s last act. It brought back bad memories of the last act of the 2015 movie, “THE AVENGERS: AGE OF ULTRON”. The entire sequence featuring the Justice League’s battle against Steppenwolf and the latter’s parademon army at some Russian village struck me as simply confusing. It was beyond confusing. Between the questionable editing, the unattractive lighting, and the rushed action, I simply found the entire sequence hard to swallow. I can only thank God that Russian village was not rising in the sky, while the Justice League battle Steppenwolf. That shit would have been even more difficult to swallow. The first post-credit scene featuring Superman and the Flash’s race to see who was the fastest did not help. Why is it so damn important in a D.C. Comics movie or television production to show a Kryptonian (whether it was Superman or Supergirl) in a race with the Flash? I disliked it in this movie and I disliked it in a Season One episode of the Arrowverse’s “SUPERGIRL”. Fortunately, the second post-credit scene nearly made up for the film’s last thirty minutes or so. I will say that it involved Lex Luthor and one of Batman’s former foes, Slade Wilson aka Deathstroke. It proved to be a great surprise.

So, there you have it. Do not get me wrong. “JUSTICE LEAGUE” provided some great action scenes and dramatic moments. It also featured some excellent performances, as well. However, it is quite obvious that the Warner Brothers executives and Joss Whedon made a serious mistake in ignoring Zack Snyder’s post-production instructions and trying to transform the movie into their own version of a Marvel Cinematic Universe (MCU) film. In a way, they did. “JUSTICE LEAGUE” strongly reminded me of Marvel’s 2015 movie, “THE AVENGERS: AGE OF ULTRON” – both the good and the bad.

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“THE DARK KNIGHT” (2008) Review

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”THE DARK KNIGHT” (2008) Review

In 2005, director/writer Christopher Nolan rebooted the Batman franchise with the highly successful movie, ”BATMAN BEGINS” that starred Christian Bale as the Caped Crusader. Both men have reunited three years later for a new story centered around Batman’s conflict with his greatest nemesis, the Joker, in this sequel called ”THE DARK KNIGHT”.

There has been a great deal of attention surrounding this movie. Many have not only praised it, claiming that it is better than the 2005 movie. But most of the word-of-mouth have centered around Heath Ledger’s performance as the Joker, especially after his tragic death some six months ago. When ”THE DARK KNIGHT” was finally released, many critics and fans expressed the belief that the positive word-of-mouth had been justified. Not only have many judged Ledger’s performance as the best in his career, others have claimed that the movie is probably the best Comic Book Hero movie ever made. I do not know if the Joker featured Heath Ledger’s best performance ever. As for the claim about ”THE DARK KNIGHT” being the best comic book hero movie . . . I do not agree.

I am not saying that ”THE DARK KNIGHT” was a terrible or mediocre film. Frankly, I believe that it was one of the best movies I have seen this summer. Most of the movie featured an excellent story scripted by Christopher and Jonathan Nolan, and David S. Goyer, in which Gotham’s organized criminal element has found itself threatened by the law ever since the end of the Falsone family in ”BATMAN BEGINS”, thanks to Batman (Bale). A former inmate of Arkham Asylum named the Joker (Ledger) approaches the crime bosses, which include Salvatore “Sal” Maroni (Eric Roberts), with an offer to kill Batman for pay. At the same time, Batman and Lieutenant James Gordon (Gary Oldman) contemplate including the new district attorney Harvey Dent (Aaron Eckhart) in their plan to eradicate the mob, as he could be the public hero Batman cannot be. Harvey Dent is found to be dating Wayne’s childhood friend and object of romantic desire, Rachel Dawes (Maggie Gyllenhaal). This conflict between Batman, the Joker and their allies escalates to a tragic and well-directed dénouement that leads to Rachel’s death. And it is here where I believe that the movie faltered.

”THE DARK KNIGHT” could have ended with Rachel’s death, followed by the Joker’s manipulation of a grieving Harvey Dent into madness and his eventual capture or death. Instead, the Nolan brothers and Goyer allowed the Joker to escape and continued the story with Dent’s vengeful hunt for those he considered responsible for Rachel’s death and the Joker resorting to a Green Goblin situation involving two ferryboats packed with explosives. The situation involved him telling the passengers on each that the only way to save themselves is to trigger the explosives on the other ferry; otherwise, at midnight he will destroy them both remotely. All of this occurred during the movie’s last half hour and quite frankly, it was a half hour I could have done without. I found the entire ferryboats sequence so unbelievable and contrived. It seemed as if Nolan teased us with the possibility of seeing the darker side of the average citizen . . . and wimped out, because he would rather stroke the ego of his moviegoers with some “nobility of man” bullshit by allowing the passengers refuse to blow or try to blow each other to kingdom come, instead of telling the truth about human nature. Very disappointing. It would have been more interesting or darker if Batman had prevented the passengers from blowing up the boats at the last minute. Batman would have saved the people, but the Joker would have proven a point.

A fan had pointed out that the ending of the sequence was Nolan’s message about leaving a sliver of hope for the audience that human beings do have the capacity to do good things. I realize that this was Nolan’s aim, but this is a message that has been done to death by moviegoers for eons. The problem is that screenwriters and moviemakers are always giving moviegoers this “sliver of hope”. They call themselves pointing out the dark side of humanity and then they pervert these messages by allowing them to come out of the mouths from villains like the Joker, before the latter is eventually proven wrong. It just seems like a cop out to me. Which was why I found the whole ferryboat sequence something of a joke. Sure, human beings are capable of doing some good. But in that particular situation? I rather doubt it. If there is one trait that humanity possess, it is a talent for self-preservation. It would have been more realistic to me if the boats had detonated or Batman had prevented this before anyone on one or both of those boats and activated the bombs. Granted, Batman/Bruce Wayne would have been disappointed in Gotham’s citizens, but he would have learned a valuable lesson about the very people he calls himself protecting. Even better, I would have preferred if Nolan had never added that sequence in the first place.

As for Harvey Dent’s hunt for those he deemed responsible for Rachel’s death . . . I would have been more satisfied if Nolan and his co-writers had ended the movie with Dent’s eventual slide into darkness in that hospital room and saved his transformation into a twisted vigilante and arch villain in a third Batman film. This would have prevented the movie from being unnecessarily a half hour long. And it would have saved the talented Aaron Eckhart for the third film as “Two-Faced” Harvey. It would have also spared moviegoers of that ludicrous ending in which Batman and Gordon decided to allow the former assume blame of Dent’s crimes in order to save the reputation of the D.A. I am still stunned by this little plot development. What were the Nolan brothers thinking? Why was it so necessary to save Dent’s reputation in the first place? Did Batman and Gordon harbored such a low opinion of Gotham’s citizens that they had to treat the latter like children?

The performances in ”THE DARK KNIGHT” were basically superb. Christian Bale beautifully captured the growing dilemma of Bruce Wayne’s desire for a normal life with Rachel Dawes, juxtaposed with his role as Gotham’s costumed vigilante and his growing power over the city’s criminal element, thanks to his alliance with police lieutenant James Gordon and the new District Attorney, Harvey Dent. There is one aspect of Bale’s performance I did not like – namely the growling tone he used, while in the Batman persona. I did not care for it in ”BATMAN BEGINS”. I cared for it even less in this film.

I have noticed how many have expressed the view that Maggie Gyllenhaal’s portrayal of Rachel Dawes was better than Katie Holmes in the 2005 film. Personally, I did not see much of a difference in the quality of their performances. Both actresses gave good, solid performances. But . . . the screenwriters’ portrayal of Rachel in this film disappointed me. They had turned her characters into an object. She was Bruce Wayne’s prize for giving up the Batman persona, as soon as he could get Dent to assume the role of Gotham’s “hero”. She was Dent’s love interest, Girl Friday and a reason to go on a rampage for Dent. And for the Joker, she was a means to get at Batman, once he realized how the latter felt about her. There were times when Rachel’s character almost seemed irrelevant and a sad decline from the legal and moral dynamo that Holmes had portrayed in ”BATMAN BEGINS”.

Heath Ledger as the Joker. What can I say? The man was brilliant. He made Jack Nicholson’s Joker look like chump change. Honestly. One of the reasons why I have never care for the Joker character in the past was due to his over-the-top persona. Cesar Romero’s Joker has never impressed me, regardless of the numerous insane clown laughs he had utilized. Nicholson’s Joker was too over-the-top for my tastes. As one can see, I do not have a love for overly theatrical characters, unless they are done right. Granted, Ledger portrayed the Joker as over-the-top. But somehow . . . I really do not know how to describe it. Somehow, he managed to infuse some kind of control in the character’s insanity, not only with his behavior, but also with a talent for emotional manipulation and the views he had spouted to Batman and other characters. Do I believe that the Joker was Ledger’s best performance? No. I believe that the character was one of his two best performances, the other being Ennis DelMar from 2005’s ”BROKEBACK MOUNTAIN”. Do I believe that Ledger deserves an Oscar nomination for his performance, despite his death? Hmmmm . . . yes. He was that good.

The other truly superb performance came from Aaron Eckhart as Gotham’s new District Attorney, Harvey Dent. One of Eckhart’s virtues was that he formed an excellent screen chemistry with Maggie Gyllenhaal. Frankly, I found their romance more believable than her relationship with Bruce Wayne. Eckhart projected a great deal of magnetism, charm and intensity into his portrayal of Dent. But I was more impressed by the way he expressed Dent’s descent into vengeful madness, following Rachel’s death. Granted, this turn of his character occurred in the movie’s last half hour. Although I disliked the movie’s last half hour, Eckhart’s performance in it almost made it bearable.

Gary Oldman, Michael Caine (Alfred Pennyworth), Morgan Freeman (Lucius Fox) and Cillian Murphy (Dr. Jonathan Crane/the Scarecrow) all reprised their roles from the first film. All four gave solid performances, but only Oldman’s role as James Gordon seemed bigger. I found Gordon’s fake death somewhat contrived and manipulative. Aside from the creation of the Rachel Dawes character, everything about the two Batman movies directed by Nolan have adhered to the Batman canon. Which is why I found it difficult to believe that Gordon was dead. Alfred’s role seemed to have diminished from the first film. Freeman’s Lucius Fox is now quite aware that Bruce is Batman and seemed to be acting as the latter’s armourer, as well as Wayne Enterprises’ CEO. The only problem I had with the Fox character was his opposition against Wayne/Batman’s development an advanced surveillance system that can listen in and track the movement of any of the thousands of cell phones in the city. I found the whole scenario contrived. As much as I had enjoyed Cillian Murphy’s portrayal of Dr. Crane/the Scarecrow in ”BATMAN BEGINS”, I found his less than ten minutes appearance in ”THE DARK KNIGHT” a waste of the actor’s time . . . and mine.

Composers Hans Zimmer and James Newton Howard returned to score the sequel. I must admit that I had been impressed by their work in ”BATMAN BEGINS” and had expected another exceptional score by them. Unfortunately, I barely remembered the score. I understand that they had rehashed the original score for this movie and added a new theme or two. But it all came off as unmemorable for me.

”THE DARK KNIGHT” had the potential to be this summer’s best film. But there were some aspects – the portrayal of Rachel Dawes’ character, Zimmer and Newton Howard’s score, the portrayal of some of the minor characters and the contrived writing that dominated the movie’s last half hour – that I believe had ruined the movie’s chances of achieving this potential. Fortunately, the virtues outweighed the flaws and in the end, ”THE DARK KNIGHT” managed to remain first-rate and become – in my view – one of the best films of 2008.

 

Favorite D.C. COMICS Moments in Movies and Television

Below is a list of my favorite scenes from various movies and television shows featuring D.C. Comics characters:
FAVORITE D.C. COMICS MOMENTS IN MOVIES AND TELEVISION
1.  “Justice League” (2017)  – Barry Allen aka the Flash tries . . . and fails to save his Justice League colleagues from the paranoia and wrath of an amnesiac and resurrected Clark Kent aka Superman.
2.  “Batman v. Superman:  Dawn of Justice” (2016) – D.C. Comics original trinity – Superman, Wonder Woman and Batman – gather together for the first time in a live action production, when they team up to take down Doomsday, the monster created by Lex Luthor.
3.  “Legends of Tomorrow” (2.07) “Invasion!” (2016) – The Arrowverse heroes gather for a final confrontation against a group of alien invaders known as the Dominators in this crossover event.
4.  “Suicide Squad” (2016) – Chato Santana aka El Diablo confesses the true details about the death of his family to his Suicide Squad colleagues in a bar in this poignant scene.
5.  “Legends of Tomorrow” (2.14) “Moonshot”– Legends member Dr. Martin Stein aka Firestorm I, distracts the Mission Control members at NASA circa 1970 with his rendition of “The Banana Boat Song”, while the other half of Firestorm, Jefferson Jackson, work to prevent them from detecting Dr. Ray Palmer aka the Atom from moving the Apollo 13 capsule.
6.  “Superman Returns” (2006) – In a spectacular action sequence, Superman saves both a space shuttle in route to a launching pad and the jet plane conveying it, following a nationwide power outage.
7.  “Wonder Woman” (2017) – A determined Princess Diana of Themyscira aka Wonder Woman leads the charge against a battlefield dubbed as “No Man’s Land” in an effort to reach a Belgium town and General Erich Ludendorff, whom she believes is Ares, the God of War.
8.  “Batman v. Superman:  Dawn of Justice” (2016) – Bruce Wayne aka the Batman battles against thugs hired by Lex Luthor in order to save Superman’s mother, Martha Kent, from them.
9.  “Man of Steel” (2013) – In this controversial scene, Superman is forced to save a family of humans by killing the last remaining Kryptonian, General Zod.
10.  “Superman:  The Movie” (1978) – Superman makes his first appearance in Metropolis, when he saves Daily Planet reporter Lois Lane after her fall from a damaged helicopter, atop the Planet building.
11.  “Arrow” (5.17) “Kapiushon” (2017) – After being tortured for a while by the villainous Promethus, a distraught Oliver Queen aka the Green Arrow finally admits his penchant for killing.
12.  “Lois and Clark: The New Adventures of Superman” (1.12) “All Shook Up” (1994) – While a deadly meteor streaks toward Earth, Jonathan and Martha Kent tries to convince their adoptive son, an amnesiac Clark Kent, that he is Superman.
13.  “Batman v. Superman:  Dawn of Justice” (2016) – Various journalists, commentators and scientists debate in a montage scene about Superman’s true nature and goal on Earth.
14.  “The Flash” (3.23) “Finish Line” (2017) – Before a defeated and vindictive Savitar can kill the Flash, the latter’s fiancee, Iris West, shoots him dead.
15.  “Lois and Clark: The New Adventures of Superman” (2.18) “Tempus Fugitive” (1995) – The vindictive and sarcastic evil time traveler, Tempus, reveals Superman’s true identity to an astonished Lois Lane.
16.  “Batman v. Superman:  Dawn of Justice” (2016) – Clark and Lois enjoy a sexy respite in a bathtub, following a serious discussion over his rescue of her in North Africa.
17.  “Batman” (1989) – Bruce Wayne aka Batman crashes through the glass roof of  Gotham City’s Museum of Art in order to save photojournalist Vicky Vale from criminal Jack Napier aka the Joker.
18.  “Legends of Tomorrow” (2.17) “Aruba” (2017)– Before he can kill Legends leader Sara Lance aka White Canary, the villainous speedster Eobard Thawne aka Reverse-Flash is killed by Black Flash, the Speed Force enforcer and former villain Hunter Zolomon aka Zoom.
19.  “Green Hornet” (2011) – Newspaper publisher Bret Reid aka the Green Hornet and his partner Kato are chased along a Los Angeles highway by minions of gangster Benjamin Chudnofsky in order to prevent them from publishing an article exposing a corrupt district attorney in Chudnofsky’s pay.
20.  “Gotham” (1.01) “Pilot” (2014)– Rookie police detective James “Jim” Gordon of the corrupt Gotham City Police Department is forced to fake the death of minion Oswald Copperpot aka the Penguin, after being ordered to kill the latter by gangster Carmine Falcone.
Honorable Mention:  “Batman Begins” (2005) – Batman refuses to save the life of his former mentor Henri Ducard aka Ra’s al Ghul from a runaway monorail, after foiling the latter’s plans to destroy Gotham City.

“Comic Book Movies: Critical Hypocrisy”

I first wrote the following article during the early fall of 2016:

 

“COMIC BOOK MOVIES: CRITICAL HYPOCRISY”

It just occurred to me that none of Marvel’s Captain America films ended on a happy note. Yet, they have never been criticized for possessing too much angst or being depressing. On the other hand, D.C. Comics films like 2016’s “BATMAN V. SUPERMAN: DAWN OF JUSTICE” have been accused of being dominated by these traits. And I have never understood this contrasting attitude toward the two comic book movie franchises. 

In “CAPTAIN AMERICA: FIRST AVENGER”, Steve Rogers lost his close friend, James “Bucky” Barnes during a mission. He was forced to crash the HYDRA plane into the cold Atlantic Ocean, where he froze for the next 66 to 67 years. Because of the crash, his burgeoning relationship with S.S.R. Agent Peggy Carter abruptly ended, with her believing that he had died. The movie ended with Steve awakening in 2011 New York City as a fish out of water and the world completely changed.

Although I love it with every fiber in my body, “CAPTAIN AMERICA: THE WINTER SOLDIER” proved to be a rather depressing film, if one is completely honest. The only positive thing that came out of it was Steve’s new friendship with Afghanistan War veteran, Sam Wilson. Otherwise, the movie featured the downfall of S.H.I.E.L.D., the very agency that his old love Peggy Carter, Howard Stark and Chester Philips had created, due to a major mistake they had committed. And that mistake turned out to be the recruitment of former HYDRA scientist, Armin Zola into the newly formed S.H.I.E.L.D. agency. Steve discovered that despite Johann Schmidt aka the Red Skull’s death, HYDRA continued to exist and that it had infiltrated S.H.I.E.L.D. and the U.S. Senate. He also discovered that his former best friend, Bucky Barnes, was not only alive, but also a brainwashed assassin for HYDRA. Everything eventually went to shit by the end of film, including Steve’s career with S.H.I.E.L.D.

“CAPTAIN AMERICA: CIVIL WAR” proved to be another depressing film. It introduced the Sokovia Accords, a United Nations sponsored document that forced enhanced beings like himself and other members of the Avengers to register with and be regulated by various governments. The main drive behind the Accords was Secretary of Defense and former U.S. Army General Thaddeus Ross, who had been the nemesis of Bruce Banner aka the Hulk. The Sokovia Accords finally gave Thaddeus Ross the opportunity to control a team of enhanced beings. The ninety-something Peggy Carter finally died. And the Avengers faced another threat – a Sokovian named Zemo, who wanted revenge for the destruction of his country – an event caused by Tony Stark’s creation of an artificial intelligence (A.I.) called Ultron. And Zemo also used the still brainwashed Bucky Barnes, whose past involved being coerced by HYDRA into murdering Howard and Maria Stark, to get his revenge. Between the Accords and Zemo, the Avengers suffered a permanent split by the end of the movie.

On the other hand, many film critics and moviegoers have criticized about “darker” aspects of the DCEU films. They have accused director Zack Snyder and the production teams behind the DCEU movie franchise of being too depressing or portraying its major protagonists as a bit too angsty. One, I see nothing wrong with morally and emotionally complex comic book hero movies. Also, at least two of the DCEU movies, “MAN OF STEEL” and “SUICIDE SQUAD” ended on a happier note.

“MAN OF STEEL” ended with Clark Kent aka Superman moving to Metropolis and joining the staff of The Daily Planet as a junior reporter and exchanging a knowing smile with his love, Lois Lane – the only person other than his mother who knew of his identity as Superman. “SUICIDE SQUAD” told the story of a group of super villains (two of them, meta-humans) who were forced to battle a powerful sorceress, bent upon world-domination by the director of A.R.G.U.S., Amanda Waller. Although Waller’s right-hand man, Colonel Rick Flagg, had allowed the villains to walk away after she had been kidnapped, the “Suicide Squad” assisted Flagg in taking down the Enchantress anyway. They were repaid with a reduced prison sentence and a few benefits. Also, “SUICIDE SQUAD” was filled with a great deal of humor – something that many critics and moviegoers have complained that the DCEU was lacking.

I find it ironic that “MAN OF STEEL” and “SUICIDE SQUAD” have been criticized for being “depressing and angst-riddled”, along with the DCEU’s boogeyman, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” (which I also adore with every fiber of my being). Yet, the MCU’s Captain America films have managed to evade such criticisms, despite their ambiguous endings. Why have many critics and moviegoers have been so hard on the DCEU films about their ambiguity and given the Captain America films a pass? Hypocrisy much?

Post-Script:  And the hypocrisy has continued.  As late as the summer of 2018, many moviegoers and critics have either expressed hope that the DCEU would release more light-hearted and “hopeful” films.  They have also expressed hope that Warner Brothers Studios’ upcoming releases – “AQUAMAN”, “SHAZAM” and “WONDER WOMAN 1984” – will feature more fun-oriented plots.

Yet, during the same year, Marvel Films/Disney Studios released three MCU films – “BLACK PANTHER”, “THE AVENGERS: INFINITY WAR” and “ANT-MAN & THE WASP”.  The first film proved to be an angst-filled and political family drama.  The second film ended on a catastrophic note in which the main villain achieved his goal and wiped out half of the universe’s population – including many familiar characters.  And although the third film proved to be a lot more light-hearted, its post-credit scene ended on a devastating note – a residual of what happened in the second film.  Hardly anyone complained about this and instead, complimented the MCU franchise for its willingness to be more serious.

Like I said . . . the hypocrisy has continued.

“Irrelevant Bashing”

 

“IRRELEVANT BASHING”

I am another moviegoer who is getting sick and tired of the regarding Marvel/Disney’s Marvel Cinematic Universe (MCU) films and Warner Brothers/D.C. Comics’ D.C. Extended Universe (DCEU) films. I have come across articles in which fans of both movie universes have accused the other of excessive bashing. 

I never understood this rivalry between Marvel and DC Comics movie franchises. To be honest, I find it unnecessary. And I believe today’s audiences are getting too caught up in this so-called rivalry, thanks to the media, the studios and the two comic book conglomerates. I have seen both DC Comics and Marvel since “SUPERMAN: THE MOVIE” first came out in 1978. Why do certain films from one comic book company need to be better than those from another one? I have seen films from both that I found very impressive. And I have seen films from both that left me feeling disappointed. For me to decide whether the Marvel films or the DC films are better strikes me as ridiculous.

Some fans have claimed that since the MCU films perform better at the box office, they are without a doubt, the superior series of films. One major problem with this reasoning was the box office performance of the five major comic book movies released in 2016. Marvel’s “CAPTAIN AMERICA: THE CIVIL WAR” proved to be the second (or third) biggest box office success of that year. Yet, D.C. Comics’ “BATMAN v. SUPERMAN: DAWN OF JUSTICE” proved to be that year’s fifth biggest box office success. Although both the DCEU’s “SUICIDE SQUAD” and the MCU’s “DOCTOR STRANGE” never reached those heights in terms of box office, both were successful and ironically, the DCEU movie proved to be a bit more successful.

However, I believe that box office performance is not a true reflection of a movie’s worth. No one knows the true reason behind the critics’ current and more positive reaction to the Marvel films. Not really. True, some film critics might honestly believe they are better. Then again, it is possible that some film critics were bribed to praise the Marvel films to the sky and/or bash the D.C. Comics movies. Personally, I had stopped regarding their opinion as fact a long time ago. After all, their opinions are dictated by personal tastes, or . . . other means, just as the opinions of moviegoers are dictated by personal tastes. – Yes, there might be more people who believe that the current Marvel films are better. But I have encountered a great number of opinions that favor the current DC Comic movies. And I cannot help but wonder if the MCU fans are simply the loudest. Also, judging a film based upon box office success or the number of fans for a certain franchise strikes me as irrelevant. There are a lot of fans of the “TRANSFORMER” films. A lot. Which is why those movies generated a good deal of money. In the end, it is all subjective.

I am fans of both the MCU and the DCEU. I have been aware of some bashing of the MCU films by certain DCEU fans. However, their bashing seemed to be minor in compare to the consistent and excessive stream of criticism and bashing directed toward the DCEU films … and I believe this bashing is getting out of control.

Sometimes, I get the feeling that a lot of Marvel fans (or perhaps I should say the Marvel/Disney company is threatened by the three movies released by DC Comics between 2013 and 2016. These three movies signaled the end of the Marvel/Disney’s monopoly on a series of comic book movies based upon a collection of titles. The bashing for the DCEU has become utter ridiculous and excessive. I am also beginning to wonder if those who had accused Disney/Marvel of paying off the critics to bad mouth ALL THREE DCEU movies that have been released so far … had been right after all. Because this criticism has become over the top. It has now extended to both “WONDER WOMAN” and “JUSTICE LEAGUE” and they have yet to be released. Has bashing the DCEU movies become the “in” thing to do? Just as bashing the “STAR WARS” Prequel films is still a popular past time? I hope not. For I had almost bought it myself.

When “MAN OF STEEL”“BATMAN v. SUPERMAN: DAWN OF JUSTICE” and “SUICIDE SQUAD” first hit the theaters, I was reluctant to see all three, because I had stupidly accepted the bad opinions about them. Yet, I overcame my reluctance and went to see them, anyway. And when I finally saw those three movies, I enjoyed them. All of them. Very much. In fact, I regard “BATMAN v. SUPERMAN: DAWN OF JUSTICE” as one of the best comic book hero movies I have ever seen. And that was when I finally realized that a film critic’s opinion was worth dog shit. No more. I am simply going to form my own opinion of any movie I am interested in seeing. And I refuse to be some mindless drone and accept the views of others simply because it is the in-thing to do.

The idea that we are supposed to be accept that the Marvel or MCU films are better than the DCEU films, because many film critics or movie fans say so is irrelevant. It is irrelevant, because their views are matters of opinion. Preference. I do not accept this view “numbers matter” regarding the artistic quality of a film, because I do not share it. I have watched a lot of comic book movies in my time. From my perspective, only my opinion of an individual movie count. I do not care whether any those movies are based upon the titles of Marvel, DC Comics or any other comic book company that exists. And considering that art and entertainment are subjective in the end, what is the point in declaring that MCU films are better or that DCEU movies are better? It seems like a waste of time to me. I think we all should focus on which individual movies that appeals to us and not bother on which company makes the better films.

Warner Bros./DCEU is scheduled to release two movies in 2017. Disney/MCU has scheduled three to be released. I plan to see all five movies this year. And I will be damned if I pay attention to any film critics or moviegoer . . . until after I have seen these movies. Regardless of who performs better at the box office, I am the one who will decide which films I want to see and which ones I want to buy, regardless of whether they came from DC Comics or Marvel.